Saturday, January 13
8pm | Doors at 7:30pm
Delightfully engaging and unassumingly comic, Meredith Axelrod envisions the limitless potential of early twentieth century music, whether it be Ragtime, Music Hall, Pop Standard, Boogie Woogie, Tin Pan Alley, String band, Jazz, Country, Blues or even Jug Band music, and embodies the spirit that brought the music into existence in the first place. Her vocal style is unusual, probably because she learned to sing by listening to how folks did it a century ago – through the medium of cylinders and 78-rpm records.
The dominant theme throughout her expansive repertoire, is that, whatever the genre, these are songs she learns from the original sources (records and / or sheet music) which were released between the 1890s and the 1930s. Part of the allure of old time music, indeed any music throughout the history of recorded music, is hearing the original recordings as played and sung by the original performers in their heyday, loving what they’re doing and doing it because it means something to them in that moment, never because of nostalgia, and Meredith brings the same unbridled passion, earnest devotion and candid vitality to all of her music; she has found possibility and joy in the treasures of cultural folklore.
Axelrod demonstratively loves the life she leads, thriving in varied musical and performance settings. She often partners with string virtuoso Craig Ventresco; they perform at venues and festivals that include the San Francisco Silent Film Festival, West Coast Ragtime Festival and Blind Boone Early Jazz Festival. She appears in myriad cooperatives: with her own hot jazz band, her own string band, in partnership with string band solo act dynamo Frank Fairfield, and with the jug band legend, Jim Kweskin. She has also performed with Dan Hicks, Maria Muldaur, Geoff Muldaur, Ramblin’ Jack Eliot, David Grisman, Cindy Cashdollar, Bill Keith, Terry Zwigoff, Sonny Leyland, Robert Crumb, and the Cheap Suit Serenaders at favorite venues: The Great American Music Hall, the Museum of Jurassic Technology, and Freight and Salvage. She has toured domestically and internationally.
«Meredith Axelrod sings and plays guitar as if she really returned to the pre-mic days. We’re not talking revisionist copy of so and so from way back when; we’ talking as if we plucked an original out of the era and time-traveled…” – JL Stiles